Benjamin 
GOH

 
Assistant Professor

Academic Fellow

Benjamin Goh is an Assistant Professor in the Faculty of Law, National University of Singapore. He works in the field of law and literature, particularly at the intersections of jurisprudence and aesthetics, postcolonial theory and literature, and the history of authorship and copyright. His first monograph, The Materiality of Literature: Rereading Authorship and Copyright with Kant, addressed the limits of copyright qua proprietary authorship through the media theorist and practitioner’s contributions to the German Enlightenment. Goh has further written a series of articles on the planetary turn in law and literature, drawing on the works of Gayatri Spivak, J. M. Coetzee, Ariella Azoulay, Sonny Liew, and others to work across borders in geography, disciplines, fields, and media. At present Goh is mostly working on his second monograph in legal aesthetics, which apprehends the formal dimensions of twentieth-century jurisprudence through Theodor W. Adorno’s aesthetic theory and wider critical oeuvre.

FULL BIOGRAPHY

Contact

(65) 6601-5881
S-02-02A

Education

PhD (London School of Economics and Political Science); LLM (University of Kent); MA, LLB (NUS)

Current Courses

Introduction to Legal Theory (G)

Introduction to Legal Theory (H)

Benjamin Goh is an Assistant Professor in the Faculty of Law, National University of Singapore. He works in the field of law and literature, particularly at the intersections of jurisprudence and aesthetics, postcolonial theory and literature, and the history of authorship and copyright. His first monograph, The Materiality of Literature: Rereading Authorship and Copyright with Kant, addressed the limits of copyright qua proprietary authorship through the media theorist and practitioner’s contributions to the German Enlightenment. Goh has further written a series of articles on the planetary turn in law and literature, drawing on the works of Gayatri Spivak, J. M. Coetzee, Ariella Azoulay, Sonny Liew, and others to work across borders in geography, disciplines, fields, and media. At present Goh is mostly working on his second monograph in legal aesthetics, which apprehends the formal dimensions of twentieth-century jurisprudence through Theodor W. Adorno’s aesthetic theory and wider critical oeuvre.

Books
Benjamin Goh, The Materiality of Literature (Cambridge University Press 2026)

Journal Articles
Benjamin Goh, 'Apartheid Blueprints and Palimpsestic Time' (2026) 67 (2) Critique: Studies in Contemporary Fiction 191

Benjamin Goh, 'Potential Legal History in the Art of Sonny Liew' (2025) 43 (4) Law and History Review 929

Benjamin Goh, 'Planetary Gifts of Law and Literature' (2025) 37 (2) Law & Literature 269

Benjamin Goh, 'Dream of the Legal Monograph' (2024) 21 (3) Law, Culture and the Humanities 421

Benjamin Goh, 'From Paratexts to Print Machinery' (2023) 35 (2) Law and Critique 313

Benjamin Goh, 'Postcolonial temporality of J. M. Coetzee’s Foe (1986)' [2023] Law and Humanities

Benjamin Goh, ‘Two Ways of Looking at a Printed Book’ (2022) 85(3) Modern Law Review 697–725

Benjamin Goh, ‘Book Review: Thomas Vesting, Legal Theory and the Media of Law (2018)’ (2021) 48(2) Journal of Law and Society 278–282

Benjamin Goh, ‘Biomedia: Life in Smithereens’ (2020) 2(1) Law, Technology and Humans 124–134


  • Law and Literature
  • Authorship and Copyright
  • Critical Legal Theory
  • Literary and Media Studies